Our Outlook on Data Visualization
This is where Alchemy Sims lives- hovering between Art and Science- we live to work on the creation of new things, new bridges between these 2 realms with new ideas in data visualization and 3d data display.

Data- what's that? the documentation of change- could it also be an engine?  What if it could animate something, the same way a motion capture file animates our avatars? Kinetic sculpture- data driven and living in a virtual world- that is part of what we build. We find new ways to create 3d data display every week, finding  structures that embellish the information, and augment the viewers perception.


Here are some of our guiding theories and formulas.

S.O.T.D- "Spirit of the Data"- in spite of the noise, in spite of the gaps, what is the data trying to show us?   We humans, are very good at piecing together a whole picture from bit parts, some of us actually enjoy a good jigsaw puzzle. When you dump those numbers out on the table- what shape does it take in your mind?  It's not just 3d data display- it's a captured experience- like the rings in a tree capture the climatologically information and create a natural form of data visualization in their rings.


No-U.B.S.- "No "Universal Belief System".  Just because you expect something to happen, do not try to see it in your data visualization planning.  Let go of the expectations, look at it from the corner of your eye, stay fresh and new to the experience. 

I=D.S.  "Interactivity = Data Selection" - If you can interact with a device that sends out data, you will be automatically making data selection.  When you collect data, what filters you chose, even just where you observe it from, all influence what meaning it will have to you.


Artistic Delivery of Data + Threshold of Interaction= >>> (greater) Engagement.  An "artistic" approach makes you engage with data. Is the data cyclical, linear, phased? What are its internal rhythms, its music, and how can that be displayed? Will it be Bell Curves?  Will the data create a sculptural display of information- that allows us to understand the influence of several factors simultaneously as we walk around it observing it's form? 
Immersion in a Virtual World is compelling, immersion in a virtual world that is under the influence of data coming in from the real world is mind blowing.  Think of it- how it works like a 2 way mirror, allowing us to see in and out at the same time.
The magic that is possible, the scale that is possible, the reach that is possible in a Virtual World allows us to share more, envision more, and understand more.   If Tim Berners Lee gets his wish- and I think he will- all the worlds data bases will soon be able to intersect with one another.  A cross reference power equal to the search engines of the web today. 
How will we deal with that avalanche of new connections?  How will we make music from the cacophony?

What will it lead us to?


This is a portion of the presentation given by us at the Federal Consortium of Virtual Worlds.  More information can be found at their website,Federal Consortium of Virtual Worlds

Functioning examples of Interactive Database driven Sculpture
"Barometric Bubbles"- Arrehn Oberlander
"Ancient Sun and Fresh Kansas Breeze"- L. Destiny
"Tidal Mills" - Annabelle Fanshaw and Arkowitz Jonson
The adventure begins here at Beach Ride in Second Life.
We have created several interactive sculptures with data driven displays.

"Barometric Bubbles"- Arrehn Oberlander.

Barometric data coming in from a weather station in Boston, Massachusetts drives this sculptures performance. As the temperature rises, the sculpture gets more active and creates more bubbles, which seek out nearby avatars and reflect their profile image on the surface.

"Ancient Sun and Fresh Kansas Breeze"-Layton Destiny
Following the position of the Second Life sun, the shadow from this structure traces an arc on the ground. Up top, the wind vanes turn to follow the persistent wind direction.

"Tidal Mills" - Annabelle Fanshaw and Arkowitz Jonson
The structures and their swinging arms represent 18 tidal gauge locations on the coasts of Long Island New York, and the Hudson River New York. Utilizing the tidal prediction database for 2010, Glass House from Green Phosphor displays a change in tides over the course of a year and compressed into approximately 12 hours.